Author: admin

  • Slates Restaurant

    Slates Restaurant

    2007 fire. photo by Keith Peters

    a haven

    Slates Restaurant #52 of Hallowell was gutted by fire in February 2007. The restaurant had been a fixture in the community since the early 1980’s. The community came together to help owner-chef Wendy Larson bring back the beloved place.

    The unofficial logo or motif of the restaurant is the mermaid. Wendy Larson has painted many merfolk over the years in both the restaurant and bakery. In the mural a mermaid representing Slates is shown rising anew from the ashes—like the proverbial phoenix.

    When I first began asking long time Hallowell residents what to included in the mural, many suggested Slate’s, and not just because of its favored place to dine. Several people who had worked at the restaurant and known Wendy for years mentioned its importance as a haven for people, in particular the LGBTQ community. Wendy has always been welcoming to many in need since opening the restaurant in the ’80’s.

    artist, Chris Cart

    a short move

    In 2016 Slates Restaurant moved from the historic 17th century building it had been in since the early 1980’s. Even after the 2007 fire Slates had rebuilt in the same location.

    However, in 2016 Wendy Larson decided it was time for a change and moved just next door to its current location, a building on Water Street that she owns.

    Dotti

    (August 21, 1945-Sept. 11, 2022)

    Born Dorothy Proctor Galley, #97 we all knew her as Dotti.

    She worked at Slates Restaurant and Bakery in Hallowell for over 40 years, where she made many lifelong friendships with co-workers and customers alike. She started at Slates in 1982 as a waitress, and worked her way up to restaurant manager, then bakery manager. She was still helping manage the bakery part time from her home up until this past summer.

    Dotti was one of the last people I included in the mural. She died after the mural was technically completed but she was so central to the doings of Hallowell, particularly the artists and musicians I had to include her.

    artist, Chris Cart
  • Road Construction

    Road Construction

    our own BIG DIG

    Over the summer of 2018 and into the spring of 2019 Hallowell’s Water Street was completely dug up as Maine’s Department of Transportation rebuilt the road of Route 201 through town #54.

    This was a major disruption to the downtown area businesses and residents. The construction removed the steep crown of the road that at times made driving and parking difficult.

    During the construction traffic was at times down to one lane and part of the traffic was rerouted south on second Street.

    In the end Hallowell came out with a much nicer downtown road and beautiful new brick sidewalks.

    This being Hallowell the town made the best of a rough situation. They closed Water Street the day before construction was to begin for a street party where many people gathered to paint the streets, literally, before the rad was to be broken up. Artists in town created small murals to decorate the construction fencing.

    This is a small reference, comparatively in the mural to an event that dominated Hallowell for almost 2 years.

    artist, Chris Cart

    Road Construction workers

    Artist Jen Greta Cart did the Old Hallowell Day poster in 2018, the year of the construction upheaval on Water Street. She shows Hallowell’s undaunted spirit, dancing in spite of the downtown chaos.

    Down with the Crown logo

    A logo designed by Sam Webber and Chris Cart for use on information about the major road construction project.

  • Allen Drew, shipcarver

    Allen Drew, shipcarver

    reknowned shipcarver

    (January 11, 1808 – January 11, 1903)

    Descended from a family of shipbuilders, Allen Drew #55 became renowned as a shipcarver and master woodcarver for public buildings and homes.

    Early in his career Drew created ornamental decorations for the Executive Council Chamber and the House and Senate chambers in the Maine State House in Augusta.

    Throughout his life he created bow and stern carvings for ships all along the coast.

    Allen Drew working away on one of his figureheads was an early part of the mural.

    artist, Chris Cart
    NOTE: just an example of a ship’s figurehead, not by Drew.

    Neptune

    Drew’s son Captain John Drew #32 recalled a large figurehead of Neptune his father had carved for the barque TRIDENT built in Gardiner, Maine.

    Mr. Drew was a well-known and respected citizen of Hallowell during years of an active business life. In the old shipbuilding days, he was a carver by trade, and he carried on a most lucrative business in hand manufacture of figureheads and other ornamental designs for ships. His work was often of the most elaborate nature and
    commanded a high price.

    from The Kennebec Journal upon Drew’s death.

    Indian Chief Sabattus

    On November 15, 1842, the Portland Weekly Advertiser praised his stern board for the ship Sabattis, which was being launched at Pittston:
    “The stern board is neat and tasteful in design and appropriate; it was executed by Allen Drew of Hallowell and shows conclusively that we have no occasion to go from home in search of workmen of superior skill in the branch of naval
    architecture. It represents an Indian chief Sabattis leaning on his bow; at the left is a deer, emblematic of the Indian chase; at his right is seen a ship in full sail, representing Commerce.”

    Schooner Jeremiah Smith of Hallowell, used for hauling granite.

    60 years of carving

    Allen Drew had a career that spanned the decades from the late 1820’s into the 1880’s where he is still listed on the census as a carver.

    In spite of his fabulous career as a carver and his reputation for beautiful work, unfortunately, there are no known carvings identifiable today.

    Hopefully, we will someday discover some of his pieces.

    Information from an article by Maine State Historian, Earl Shettleworth of Hallowell, in the Kennebec Current here.

  • sketches, studies

    drawings and color studies

    The mural came to life through stacks of drawings and color studies preparing for each figure on the wall.

    I filled a stack of drawing pads as tall as my thigh with drawings for this mural.

    artist, Chris Cart

    You can see a handful of drawings below:

  • Ebenezer Dole, abolitionist

    Ebenezer Dole, abolitionist

    first abolitionists

    Ebenezer Dole, #42, his brother Daniel and others, met here on November 18, 1833 and formed the first anti-slavery society in Maine known as The Hallowell Anti-Slavery Society.

    A year earlier Dole contacted William Lloyd Garrison, publisher of the Boston abolitionist newspaper The Liberator, and invited him to speak at Old South Church in Hallowell. When Garrison was jailed in Baltimore for his anti-slavery activity, Dole sent $100 to pay his fine and support his work. Dole was also a founding member of the Maine Anti-Slavery Society. James Gow, another Old South Church Deacon, is said to have provided asylum to the first fugitive slave who passed through Hallowell.

    (Excerpt from Historic Hallowell, museum in the streets.)

    Ebenezer and Hannah Dole House

    The Federal style home owned by Ebenezer #50 and Hannah Dole #42 can still be seen in Hallowell, Maine at the corner of Second and Lincoln Streets. Their home was also the site of the first abolitionist meeting in Maine.

    Ebenezer Dole House the corner of Second and Lincoln Streets
  • Sam Webber, historian

    Sam Webber, historian

    Sumner “Sam” Webber our beloved city historian.

    historian, teacher

    Born in Rutland, Vermont Sumner “Sam” Webber #41, has lived in Hallowell essentially his entire life. For the last 28 years he has been the city’s official historian, a position that was created because he had such vast knowledge abut our city’s past.

    He has conducted annual historical tours, cataloged documents, answered genealogical queries, and even built parade floats.

    He was the first curator at Augusta’s Old Fort Western from 1973 to 1981.

    Sam, was no end of help for the mural content. I could not have done this mural without him.

    artist, Chris Cart

    author, historian

    Sam Webber has a vast and irreplaceable store of knowledge about Hallowell history both recent and long past.

    Fortunately, Sam Webber has written several works about the city’s past, including a booklet on Hallowell schools of the 1870s; a memoir of his own childhood, Black Cat and Other Stories: Recollections of My Childhood in Hallowell, Maine during the 1940s; and stories about other people who lived in the city, Reflections & Recollections: Celebrating Hallowell’s 250th, 1762-2012.

    He was a teacher of U.S. history and other subjects for 33 years at Hall-Dale High School, retiring in 1996. He has also been a Hallowell city councilor, president of the Row House historic preservation group, a member of the Friends of Hubbard Free Library board, a leader of guided historical tours, and a city election worker.

    an early sketch of Sam for the mural.
  • festivals

    festivals

    Old Hallowell Day

    Hallowell is hosts many festivals throughout its year. Old Hallowell Day is the big annual festival that happens every year in mid July.

    October Fest, Festival of Scarecrows, Mardis Gras, Zombie Crawl every Hallowe’en, some come here for a few years and move on—the Luthier Festival, Granite Symposium—and some are seemingly permanent fixtures in our calendar, like the grand Old Hallowell Day and the Rock on the River with 30+ summers of music and counting.

    This is Maggie Warren #40, with her parasol. I needed a bit of color in front of the big granite head. At the 2019 Hallowell Woodstock Revival I sketched Maggie with her tie dyed dress and parasol and k new she was the perfect bit of color to be sitting up on the scaffolding in front of the Faith Statue. Maggie was at the original Woodstock Festival in NY.

    artist, Chris Cart

    Woodstock Revival

    Hallowell Board of Trade hosted a Hallowell Woodstock Revival for several years with bands playing live music played at the original woodstock. Hallowell boasts several people who were at the original Woodstock Festival, including Maggie Warren.

    2015 Hallowell Woodstock Revival Poster by Chris Cart

    Hallowell Hexen

    You may have noticed the witch in the mural. That is the artist’s wife Jen Greta Cart #67, who started the Hallowell Hexen Dancers, a raucous gathering of Hallowe’en Hallowell witches who dance down the street every All Hallow’s Eve toward the big bonfire.

    It was hard to decide how to include Jen in the mural. She is an artist, avid dancer, actor in local theater and she started the witch dancers at Hallowe’en. She finally ended up as a graceful witch, brushes in hand casting a spell on us all.

    artist, Chris Cart

    Zombie Crawl

    Bruce Mayo #101, is shown in the mural in two of his many guises, as the super talented artist he is and in one of his elaborate and always elegant costumes as he leads the annual Mardi Gras parade to launch the festivities. He is also a prominent figure in organizing and participating in Hallowell’s annual Halloween Zombie Crawl and June Pride Parades. His talent can be seen all over his Easy Street Lounge.

    Bruce Mayo drawing
    Cary Colwell in the black hat.

    indispensable volunteers

    Cary Colwell #91, is one of Hallowell’s steadfast committee volunteers who make all the fabulous festivals and events happen. She has been instrumental in many Old Hallowell Day festivals, Mardi Gras bashes, weekly music events and so much more.

    And without Deb Fahy #108, we simply wouldn’t have the arts that we do in town. She does so much.

    Deb Fahy and Cary Colwell

    Granite Symposium

    Hallowell is known for its granite and the stone carvers who worked here in the 19th, creating stone sculptures and ornaments for notable buildings around the country.

    September 11-19, 2021 Hallowell celebrated that granite history with a 7 day Granite Symposium–7 artists spent 7 days carving many sculptures to show what can be done with stone. This was a joint project of the city of Hallowell’s Arts and Cultural Committee, Vision Hallowell and the Maine Stone Workers Guild.

    Two of the created sculptures are now permanently installed on the Hallowell waterfront—“Bloom” by Isabel Kelly and “Flowing Through” by Mark Herrington.

    With fellow stoneworker Dan Ucci steadying the ladder, Isabel Kelly adds the final element to her sculpture, ‘Bloom’. photo credit Nancy McGinnis.
  • fishing

    fishing

    livelihood from the Kennebec #39

    Atlantic salmon, American shad, the alewife and blueback herring-both river herring species, rainbow smelt and striped bass are all native Kennebec anadromous fish.

    Estimates of the early abundance of salmon on the river prior to the 18th century range as high as 70,000 fish, of just this one species.

    Vast numbers of salmon and other anadromous fish used to swim up the Kennebec every year to spawn. These fish were an important subsistence food source for the native people of the Kennebec Valley. Hunting by the Wôban-aki Nation #112 people was mainly by spears and traps, to provide enough food for the local people.

    Not much changed in the river with the early European settlers. The fish were abundant and even with increased use the fish stocks were not, initially overused. Indeed early reports by the settlers expressed their awe at the great abundance of fish in the river.

    a·nad·ro·mous /əˈnadrəməs/
    adjective
    Zoology
    (of a fish such as the salmon) migrating up rivers from the sea to spawn.

    overfishing

    As more Europeans settled along the Kennebec the the river became more exploited for commercial use in addition to fishing to sustain the local people. Shiploads of fish began to be netted from the river and sent down river on route for sale down the coast in ports of Portland, Boston and New York.

    Kennebec salmon was prized in restaurants down the colonial coast as well at European tables. And initially, the salmon was so bountiful and cheap, laws were enacted to restrict logging camps around the state from serving the fish more than three times per week.

    However, by the late 18th century people were noting the depletion of the fish in the Kennebec valley. By the 1820 when Maine became a state, the Atlantic salmon were almost gone. The real depletion of all the anadromous fish on the Kennebec came after the Edwards Dam in Augusta was built in 1837.

    The settlers along the Kennebec had seen raw the potential of the river to power industry. With this first dam being built at the head of tide in Augusta, the salmon and other fish could no longer swim up stream to their spawning grounds.

    By 1850, just 13 years later, the Atlantic salmon was so scarce several drift net fisheries businesses were completely abandoned. And one hundred years later in the 1950’s and Atlantic salmon numbers had dwindled to just a few hundred fish on the Kennebec.

    Industry on the Kennebec in the early 20th century also polluted the river so intensely that the Kennebec river, once pristine and prized for its clear ice in winter and delicious fish, had the gained the reputation of its reek and fish too unhealthy to eat.

    This is an early stage of the river in the mural. The fisherman was bigger and made a dramatic element. Howver, as the mural evolved more things and people needed to be added, so I had to tone down the fisherman and make the river less busy. But I really liked this version as a design by itself.

    artist, Chris Cart
  • Kennebec

    Kennebec

    highway to the world

    The Kennebec River #29, was crucially important to Hallowell for most of its existence since 1762. The earliest settlers, Deacon Pease Clark #109 and his family arrived sailing up the Kennebec from southern Massachusetts.

    All the goods manufactured and grown in Hallowell and anywhere along the Coos Trail inland from Hallowell were shipped out of Hallowell’s port to cities down the coast

    For 8 months of the year from spring, ice out to the next winter’s freeze, ships would make their way the 46 miles upriver from the Atlantic to the harbor at Hallowell:

    bringing Pennsylvania flour, West India sugar, and English cloth and hardware, returning with shingles, clapboards, hogsheads and barrel staves, white oak capstan bars destined for Boston or Bristol or Jamaica.

    from Maine Memory Network

    For the 100 years of the ice industry‘s huge importance in the area ice was cut from the river and area lakes and shipped down the river to many southern ports. One account states that “Kennebec ice” was much sought for its clarity and clean flavor.

    Alewife fishery on the Kennebec was big business for many decades.

    And until the 1950’s logs from the forests of Maine were sent down the Kennebec to Hallowell for sorting and milling.

    One man noted that in Hallowell at the time:
    “Every boy who had arrived at the age of eighteen and who had not been on a voyage to the East or West Indies, was looked upon as ‘non compos’, and every man over thirty who was not called Captain had forfeited the respect of the community.”

    From Maine Memory Network

    There were several boatyards in Hallowell, building schooners for the river trade.

    far reaching trade

    There were three icehouses in Hallowell located on Summer Street, the Vaughan Stream, and where the Hallowell boat landing is today.

    Once in the Willemstad, Curacao history museum I saw an article that Leonard B Smith, the consul of the US in Curacao had made his start with his own schooner hauling Maine ice to Curacao to provide cold drinks to the island people.

    artist, Chris Cart
    detail from Kennebec, a mural by Chris Cart at the Capital Judicial Center in Augusta, Maine.
  • ice cutting

    ice cutting

    A young Arthur Moore Jr. shown here hauling blocks of ice.

    keeping things cold

    For over 100 years, from the 1820’s onward, an important Hallowell industry was cutting ice blocks from the area lakes and river. The blocks were stored in huge warehouses, packed in sawdust and then shipped by schooners down the coast and as far as the Caribbean and Cuba.

    At the peak over 9000 people and 300 horses were employed in the cutting and storing ice. One account tells of 1000 schooners being on the river shipping ice to southern climes over just one ice cutting season.

    Arthur Moore, Jr., #38 a Hallowell resident who died in 2018 at 94, remembered cutting ice in the 1930’s for storage in the huge Moore ice house on Summer Street. His great-grandfather had started the Moore ice business in 1867.

    description of ice cutting

    Excerpt from Historic Hallowell on Maine Memory Network.

    “The ice was cut by hand. After the snow was scraped from the area, the ice was plowed out. The ice plow was a weighted, horse-drawn machine with a row of sharp teeth which cut a narrow furrow six or seven inches deep. A marker scratched a line for the next cut. The plow was run one way over an area and then over the other at right angles, plowing out a checkerboard pattern.

    The common size of the ice cakes were twenty two inches by twelve inches and weighed about a hundred pounds. Sometimes the cakes were broken apart.

    Men would guide blocks of ice towards the conveyor belt that lifted the ice into the ice houses for shipping later. The workers used splitting forks and pick poles to line up the blocks that were lifted by the steam hoist. Byron Weston’s ox team (picture shown below) was first used to haul blocks of ice from Cascade Pond to the Arthur Moore ice house between Middle and Summer Street. Later, gasoline powered trucks were used until the ice harvesting operation closed down around 1950.”

    detail from Kennebec, Maritime History mural by Chris Cart at Capital Judicial Center, Augusta, Maine.

    a life on the river

    Arthur Moore Jr. #38, a lifelong Hallowell resident who died in 2018 at age 94 was a direct descendant of the midwife, healer Martha Moore Ballard, #10 as well as, Deacon Pease Clark, #109 the first European settler of Hallowell, in 1762.

    Moore began working at the family ice cutting business in the 1930’s His great-grandfather William Moore II had started the ice company in 1867.

    Moore attended the U.S. Merchant Marine Academy at King’s Point, Long Island, N.Y., graduating in February, 1944. During WWII he served on various merchant ships as a Deck Cadet, Third Officer and Second Officer in the North Atlantic, Mediterranean Sea and South Pacific war zones. Following the war, he worked on various freighters and tankers.

    excerpt from obituary on legacy.com

    I find it fitting that the last person to pilot a real ship up the Kennebec to Hallowell was Captain Moore, who was a direct descendant of the first settlers who arrived by the same river route.

    artist, Chris Cart

    Kennebec pilot

    Capt. Moore held an Unlimited Master of Ocean’s License issued by the U.S. Coast Guard in Boston, and later added 42 First Class Pilotage Endorsements for various harbors and rivers between the Kennebec River and Washington D.C. He was most proud of his license for the Kennebec River from its entrance to Augusta, which he obtained in November, 1949.

    In 1954, he took over the Kennebec River pilotage operating tankers, tugs and barges delivering oil, grain and coal to Hallowell, Farmingdale and South Gardiner. Capt. Moore piloted the last tanker up the Kennebec River to Hallowell in May, 1966.

    excerpt from obituary on legacy.com