Category: mural-content

  • Ukraine

    Ukraine

    grieving woman

    The second invasion of Ukraine #118 by the Russian army, with news of the atrocities by Putin’s invading army, began in February of 2022, during the painting of the mural. The grieving woman entered the mural as a symbol of Hallowell’s support for the Ukrainian people.

    Slava Ukraini! Слава Україні!, “Glory to Ukraine!”

    The scenes of devastation from Ukraine are just heartbreaking. Though the Ukraine war is not central to Hallowell’s story, I needed to paint something. The crying woman cradling her child became a small but important part of the mural for me.

    artist, Chris Cart
  • Woman’s Suffrage

    Woman’s Suffrage

    Juliet Shagoury #44 posed for the woman in white suffrage outfit of the early twentieth century.

    Centennial of Women’s Suffrage

    2020 was the year of celebration of the 100 year anniversary of Women’s Suffrage in the US. when 19th Amendment to the Constitution was ratified on August 18, 1920 giving women the right to vote.

    19th Amendment

    The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.

    Amendment XIX
    Section 1

    In February 1895 women from all over Maine, including Hallowell, had gathered in Augusta, Maine for a hearing about women’s voting rights, and to make a statement to the Maine Legislature that women’s desire for the right to vote was a statewide issue.

    Lillian Stevens of Dover, Maine spoke at the hearing: “Two years ago … we were told that it would be better for our claims if we had the state represented by women from every section … to prove that we really want the ballot. We accepted this advice, and gentlemen, we have come.”
    ~from Maine State Museum


    While I could not find any articles of specific history of the women’s suffrage movement in Hallowell, I did find a list of women involved in suffrage causes which included women from Hallowell. This is no surprise as Hallowell has often been in the forefront of progressive, activist causes since its founding.

    artist, Chris Cart

    suf·frage /ˈsəfrij/

    noun
    -the right to vote in political elections

    The term suffrage derives from the Latin, suffragium, meaning “a voting-tablet”, “a ballot” or “the right to vote”.

    The colors of the movement

    White dresses became associated with the early women’s suffrage movement of the early 20th century to represent liberty, purity, and feminine grace. Purple, or violet, represented the vote as well as loyalty, constancy, and steadfastness. Yellow and gold were by far the most widespread colors of the movement.

    By Unknown author – https://mainestatemuseum.org/exhibit/suffrage/the-maine-story/taking-streets-lecture-halls/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=95064851
  • The man with the wall

    The man with the wall

    a giving man

    Chris Vallee #45 has been a real estate professional dealing in commercial and private home and business sales for years.

    The Hallowell mural would not have happened without Chris Vallee. Vallee and artist Chris Cart are good friends and were having lunch one day. Suddenly Chris Vallee asked if Cart if he wanted to do a large mural on his wall at 89 Water Street—a building he had owned and lived in for many years.

    They knocked around ideas and decided the mural should tell the story of our cool town.

    Chris (Vallee) is the most generous person I know. He is constantly giving and reaching out to help people.
    In the summer of 2020 he donated one of his kidneys to a complete stranger. Unfortunately, the surgery went wrong and Chris nearly died, spending 3 months in the hospital, with numerous other surgeries to fix the damage from the initial one. I wanted to represent his sacrifice by the symbol of the kidney colored bird flying from his hands.

    artist, Chris Cart
  • good trouble

    good trouble

    a progressive community

    The Black woman at the left included in the mural is based on Sarah Williams Young, #69, Hallowell, ca. 1864. She and her husband John we married and lived in Hallowell. John worked as a laborer.

    Hallowell, Maine was a refuge for African Americans and was part of the underground railroad. The first Abolitionist society in Maine was formed in Hallowell by Ebenezer Dole.

    The story of James Matthews is of note. He was a Black man who escaped enslavement in South Carolina to find refuge in Hallowell. You can read more here.

    Many important things happened while I was painting the mural—the BLM movement, the murder of George Floyd, and the appointment of Supreme Court Justice Ketanji Brown Jackson and the death of Congressman John Lewis. I referenced these in the fan she is holding.

    artist, Chris Cart
    Photo of Sarah and John Williams Young from Vickery-Shettleworth collection of early Maine photography
  • Equality Maine

    Equality Maine

    equal rights for all Mainers

    The mission of Equality Maine “is to protect and advance full equality for all lesbian, gay, bisexual, transgender, and queer Mainers by creating an inclusive and intersectional movement through political action, community building, education, engagement and collaboration.”

    quoted from Equality Maine website.

    November 7, 2012

    A majority of Maine voters legalized marriage equality in 2012. The initiative, known as Question 1, passed by a margin of 53% to 47%. Maine was the eighth U.S. state to legalize same-sex marriage, and one of the first to pass it by popular vote. This was in part due to our tireless work of our volunteers and lobbyists having conversations with people all over Maine!

    The year of 2012 saw many LGBTQ marriages across Maine.

    Betsy Sweet #48 was a founding supporter of Equality Maine, formerly, Maine Lesbian/Gay Political Alliance (MLGPA). The group was founded in response to the July 1984 murder of Charlie Howard, a young Bangor man who was attacked and murdered simply because he was gay.

    Laura Harper #63 and Lauren Mier #64 at their wedding.

  • 1830 Petition to Congress

    1830 Petition to Congress

    Libby Thompson #46 is the woman in the straw bonnet holding part of the text from the 1830 Petition.

    Also shown is Kate Tremblay #49 in the reddish bonnet.

    Both these women are contemporary Hallowell residents who did extensive research on the early Hallowell Petition.

    The other woman to the left in the lace head covering is Hannah Dole #50, who was one of the signatories on the Petition to Congress in 1830.

    a progressive tradition

    The people of Hallowell, Maine have spearheaded progressive movements from the earliest days since before incorporating as a city in 1852.

    The Right to Speak

    62 women of Hallowell signed the first ever petition by women sent to the US government.

    On January 18, 1830, Charlotte Cheever, her daughter Elizabeth, Hannah Dole and 58 other women of Hallowell, Maine, signed and submitted a petition to Congress protesting the Indian Removal Act, signed by President Andrew Jackson—the federal government’s forcible removal of over 60,000 Native Americans from their lands in the south, the governmental ethnic cleansing of the south, what became known as the Trail of Tears.

    These women asked for the right to speak on the matter, stating:

    “There is one consideration, connected with this subject, which adds much interest, and gives us, as we think, a right to speak on the subject.”

    Over the next 2 years over 1500 women from around the country petitioned the government on the subject of the removal of Native Americans from their homelands.

    We do therefore repeat our prayer, that they may be permitted to abide by the graves of their Fathers and enjoy the sweets and endearments of home.

    Hannah Dole

    The woman in the white bonnet in front of the Right to Speak placard is Hannah Dole #50, wife of Hallowell abolitionist Ebenezer Dole. She was one of the 62 signatories on the petition.

    I included Hannah Dole in the mural as she was the only woman who signed the 1830 Petition of whom I could find a portrait. The other two women in similar period clothing with her are Kate Tremblay and Libby Thompson from today. They both worked at Vaughan Homestead researching the 1830 Petition.

    artist, Chris Cart

    Elizabeth Palmer Peabody (May 16, 1804 – January 3, 1894), sister of Sarah Hawthorne, Nathaniel Hawthorne’s wife, was a progressive educator brought to Hallowell by Benjamin Vaughan to teach his daughters and sons. Many who signed this petition were members of the women’s group Peabody dubbed the Blue Stocking Club, after the English Blue Stocking Society.

    the line from the Petition included in the mural
    an early sketch-in of Hannah Dole in the mural.

    Text of 1830 Petition

    To the Honorable Senate and House of Representatives in Congress assembled,

    we the undersigned, feeling deeply interested in the honor, integrity, and virtue of our country, and considering the question soon to be presented before you, in relation to several tribes of Indians in the western States, as affecting all these, we do most humbly and ardently unite our prayers with those of ten thousands in our lands, that your determination may be favorable to these devoted, persecuted and interesting people.

    We have said this question affects our honour, our virtue and our faith – for what faith will be kept by subjects when rulers regard not the most solemn treaties – when they trample on the rights, the heaven descended rights of those who look to them for protection.

    There is one consideration connected with this subject, which adds much interest and gives us, as we think, a right to speak on the subject. We refer to exertions made by the pious and benevolent to enlighten and Christianize this long neglected people; – and we say it – without any desire of glory, that these efforts have been sustained chiefly by the charity of our own sex – by the two mites of the widow and the penury of the poor. We are unwilling that these truly benevolent exertions should, by the strong men of government, be prostrated at a blow.

    We are unwilling that the church, the school, and domestic altar should be thrown down before the avaricious god of power, and those groves dear to the heart of the Indian and which now echo the hymns of Jehovah, should be again the resort of the hunter, the wild man and the savage. We would not ordinarily interfere in the affairs of governance, but we must speak on this subject. We are aware that we owe to Christianity – all that is sacred to virtue – our elevation in the scale of beings; and we are anxious that others that the wandering Choctaw, Creek and Cherokee should participate in these privileges.

    We do therefore repeat our prayer, that they may be permitted to abide by the graves of their Fathers and enjoy the sweets and endearments of home.

    Petition signatories

    Joanna Gage, Sophia Bond,Lucy Emerson, Hannah Alden, M C Ladd, Sarah Dummer, Mary M Palmer, Mary G. Morse, Nancy Dole, A or H Getchell, S or L Masters, M Perley, O. Getchell, Mary G Gillett, Ann E Gillett, Lydia F. Shepard, Pamela L Fuller, Lydia Page, Lucretia T Bond, Caroline T Bement, Lucretia P Bond, Susan C Moody, Abigail Page, Caroline ? Stickney, Julia A Page, Harriet Page, Hannah Dole, Anna Lakeman, Hannah Sewall, Martha H Page, Sarah C Howard, Sarah Cutler, C. _, Sarah W Page, Adelaide W Page, Mary C Wingate, L M Goodale, Elizabeth Goodale, Elizabeth S Goodale, Mary Gow, Pamela E Gow, Lucy __Gow, Sybil P Lovejoy, L Stickney, P E Stickney, Mary A P Wells, Sally H Agry, Abigail Gow, L__ren Parsons, Sarah E. Moody, Catherine Gardner, Mary Dole, Susan Gardner, Mary Gardner, M__ Gardner, Charlotte Cheever, Elizabeth B. Cheever, Caroline Ladd, Susan Vinall ?, Lucy G Gilman, F C Page

    On outside of folded petition:

    Wm. Sprague
    21 Cong (Congress)
    1 Sess (Session)
    Memorial of sundry ladies of Hallowell, Maine, praying that certain Indian tribes may not be removed from their present places of abode.
    1830 January 18. referred to committee on Indian Affairs March 29 report ______.

    Some of the signatures on 1830 Petition against Indian Removal Act
  • Gaslight Theater

    Gaslight Theater

    heading

    Founded in 1937 as the Augusta Players, Gaslight Theater #51 is the oldest continuously operating community theater in Maine. Since the late ’70’s they have made their home on the stage in Hallowell City Hall, One Winthrop Street in Hallowell (map).

    Rebecca Singer #62, is seen in the front as Puck from Gaslight’s production of Shakespeare’s Midsummer Night’s Dream.

    “Gaslight Theater carries forward a long tradition of providing quality live entertainment to the Capital area community. We seek to provide a welcoming venue for artistic expression, education in the theatrical arts, and community engagement.

    GaslightTheater.org

    Jen, my wife, has been acting in many wonderful Gaslight productions since the ’80’s. I ‘ve been dragged in to trod a bit before the curtain but more often have found myself backstage painting elaborate sets, creating props and designing playbills.

    artist, Chris Cart

    gaslight logo

    Matthew Perry #65, is also depicted in his role as Snug the Joiner, portraying the lion play-within-a-play, “Pyramus and Thisbe”. Matthews’ sisters, Rebecca Perry #78 and Hannah Perry #78 are also included in the mural at the far left and far right. Their father Eric Perry was a major donor to the mural project.

    Richard Bostwick #66, a lifelong Gaslight performer and director is shown in the fedora from one of his performances.

    Jen Greta Cart #67, (the artist’s wife) is not an unfamiliar face on the Gaslight stage is shown here as a witch for her leadership of Hallowell Hexen dancers in the annual Halloween parade. Jen was indeed a witch on stage when she brought the witch “Gillian” to life in the in Gaslight’s production of Bell, Book and Candle.

    You can see the latest Gaslight Season of performances here.

  • Slates Restaurant

    Slates Restaurant

    2007 fire. photo by Keith Peters

    a haven

    Slates Restaurant #52 of Hallowell was gutted by fire in February 2007. The restaurant had been a fixture in the community since the early 1980’s. The community came together to help owner-chef Wendy Larson bring back the beloved place.

    The unofficial logo or motif of the restaurant is the mermaid. Wendy Larson has painted many merfolk over the years in both the restaurant and bakery. In the mural a mermaid representing Slates is shown rising anew from the ashes—like the proverbial phoenix.

    When I first began asking long time Hallowell residents what to included in the mural, many suggested Slate’s, and not just because of its favored place to dine. Several people who had worked at the restaurant and known Wendy for years mentioned its importance as a haven for people, in particular the LGBTQ community. Wendy has always been welcoming to many in need since opening the restaurant in the ’80’s.

    artist, Chris Cart

    a short move

    In 2016 Slates Restaurant moved from the historic 17th century building it had been in since the early 1980’s. Even after the 2007 fire Slates had rebuilt in the same location.

    However, in 2016 Wendy Larson decided it was time for a change and moved just next door to its current location, a building on Water Street that she owns.

    Dotti

    (August 21, 1945-Sept. 11, 2022)

    Born Dorothy Proctor Galley, #97 we all knew her as Dotti.

    She worked at Slates Restaurant and Bakery in Hallowell for over 40 years, where she made many lifelong friendships with co-workers and customers alike. She started at Slates in 1982 as a waitress, and worked her way up to restaurant manager, then bakery manager. She was still helping manage the bakery part time from her home up until this past summer.

    Dotti was one of the last people I included in the mural. She died after the mural was technically completed but she was so central to the doings of Hallowell, particularly the artists and musicians I had to include her.

    artist, Chris Cart
  • Road Construction

    Road Construction

    our own BIG DIG

    Over the summer of 2018 and into the spring of 2019 Hallowell’s Water Street was completely dug up as Maine’s Department of Transportation rebuilt the road of Route 201 through town #54.

    This was a major disruption to the downtown area businesses and residents. The construction removed the steep crown of the road that at times made driving and parking difficult.

    During the construction traffic was at times down to one lane and part of the traffic was rerouted south on second Street.

    In the end Hallowell came out with a much nicer downtown road and beautiful new brick sidewalks.

    This being Hallowell the town made the best of a rough situation. They closed Water Street the day before construction was to begin for a street party where many people gathered to paint the streets, literally, before the rad was to be broken up. Artists in town created small murals to decorate the construction fencing.

    This is a small reference, comparatively in the mural to an event that dominated Hallowell for almost 2 years.

    artist, Chris Cart

    Road Construction workers

    Artist Jen Greta Cart did the Old Hallowell Day poster in 2018, the year of the construction upheaval on Water Street. She shows Hallowell’s undaunted spirit, dancing in spite of the downtown chaos.

    Down with the Crown logo

    A logo designed by Sam Webber and Chris Cart for use on information about the major road construction project.

  • Allen Drew, shipcarver

    Allen Drew, shipcarver

    reknowned shipcarver

    (January 11, 1808 – January 11, 1903)

    Descended from a family of shipbuilders, Allen Drew #55 became renowned as a shipcarver and master woodcarver for public buildings and homes.

    Early in his career Drew created ornamental decorations for the Executive Council Chamber and the House and Senate chambers in the Maine State House in Augusta.

    Throughout his life he created bow and stern carvings for ships all along the coast.

    Allen Drew working away on one of his figureheads was an early part of the mural.

    artist, Chris Cart
    NOTE: just an example of a ship’s figurehead, not by Drew.

    Neptune

    Drew’s son Captain John Drew #32 recalled a large figurehead of Neptune his father had carved for the barque TRIDENT built in Gardiner, Maine.

    Mr. Drew was a well-known and respected citizen of Hallowell during years of an active business life. In the old shipbuilding days, he was a carver by trade, and he carried on a most lucrative business in hand manufacture of figureheads and other ornamental designs for ships. His work was often of the most elaborate nature and
    commanded a high price.

    from The Kennebec Journal upon Drew’s death.

    Indian Chief Sabattus

    On November 15, 1842, the Portland Weekly Advertiser praised his stern board for the ship Sabattis, which was being launched at Pittston:
    “The stern board is neat and tasteful in design and appropriate; it was executed by Allen Drew of Hallowell and shows conclusively that we have no occasion to go from home in search of workmen of superior skill in the branch of naval
    architecture. It represents an Indian chief Sabattis leaning on his bow; at the left is a deer, emblematic of the Indian chase; at his right is seen a ship in full sail, representing Commerce.”

    Schooner Jeremiah Smith of Hallowell, used for hauling granite.

    60 years of carving

    Allen Drew had a career that spanned the decades from the late 1820’s into the 1880’s where he is still listed on the census as a carver.

    In spite of his fabulous career as a carver and his reputation for beautiful work, unfortunately, there are no known carvings identifiable today.

    Hopefully, we will someday discover some of his pieces.

    Information from an article by Maine State Historian, Earl Shettleworth of Hallowell, in the Kennebec Current here.