Author: admin

  • antiques, antiques, antiques

    antiques, antiques, antiques

    antique capital of the world #56

    Many called Hallowell, Maine the “antiques capital of the world and for over 5 decades, was certainly the antiques capital of Maine, boasting more than two dozen antique shops along Water Street.

    John Merrill #59 still runs a bookshop on Water Street, with rare and collectible books.

    Rebecca Perry #58, the young woman with the glasses, loves books and is shown representing all those who have frequented Hallowell bookshops.

    As a kid growing up in Phippsburg in the ’60’s and 70’s, I remember occasional drives when we headed up to Hallowell to poke around the various antique shops and antiquarian book shops.

    artist, Chris Cart

    Hallowell Antique Mall

    Today antiques can still be acquired at our thriving antique mall at the southern end of town on Water Street, boasting fascinating antiques from dozens of vendorts.

  • COVID

    COVID

    an epidemic

    The international COVID epidemic hit during the period when artist Chris Cart was painting the mural.

    Several of the medical workers who kept us as safe as possible are included in the mural:

    Dr. Emmy Liscord #71, , Dr. Kieran Kammerer #72, and nurse Tina Netten #73.

    Covid gave us a new dark piece of history we lived through while I was working on the mural. It seemed important to include some reference. This was one of several things I added to the original design of the mural, which shook things up, painting-wise, necessitating redesign of parts of the mural.

    artist, Chris Cart
  • Ukraine

    Ukraine

    grieving woman

    The second invasion of Ukraine #118 by the Russian army, with news of the atrocities by Putin’s invading army, began in February of 2022, during the painting of the mural. The grieving woman entered the mural as a symbol of Hallowell’s support for the Ukrainian people.

    Slava Ukraini! Слава Україні!, “Glory to Ukraine!”

    The scenes of devastation from Ukraine are just heartbreaking. Though the Ukraine war is not central to Hallowell’s story, I needed to paint something. The crying woman cradling her child became a small but important part of the mural for me.

    artist, Chris Cart
  • installation

    june 2023

    Over the second week in June 2023 the mural artist, Chris Cart with his intrepid and indominable wife Jen Greta Cart, installed the 700 square feet of canvas, gluing, smoothing, varnishing each of 24 five by five foot pieces of canvas.

    The aerial lift took a bit of getting used to but in general the week of the installation, while a lot of work, was also a blast.

    artist, Chris Cart

    All photo of the installation by Stephen Thompson of Hallowell.

    7 days up on the wall.

    The artist painted the mural in 24 approximately 5 x 5.5 foot sections, (both the top and bottom rows are a bit shorter.) Once completed the canvas pieces were glued to the stucco, masonry north wall of 89 Water Street. The adhesive is very thick acrylic adhesive designed by Golden Acrylics specifically for exterior mural installation.

    The artists installed the mural from the bottom row up to the top. The reason for this is that the canvas pieces were painted and designed to have a 1/2 inch overlap on the top and bottom edges, each row overlapping the previous—just like shingles, to shed any water.

    The whole mural installation took just under a week from gluing and smoothing on the 24 sections of canvas through final paint touch-ups and then two coats of final varnish.

  • Woman’s Suffrage

    Woman’s Suffrage

    Juliet Shagoury #44 posed for the woman in white suffrage outfit of the early twentieth century.

    Centennial of Women’s Suffrage

    2020 was the year of celebration of the 100 year anniversary of Women’s Suffrage in the US. when 19th Amendment to the Constitution was ratified on August 18, 1920 giving women the right to vote.

    19th Amendment

    The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.

    Amendment XIX
    Section 1

    In February 1895 women from all over Maine, including Hallowell, had gathered in Augusta, Maine for a hearing about women’s voting rights, and to make a statement to the Maine Legislature that women’s desire for the right to vote was a statewide issue.

    Lillian Stevens of Dover, Maine spoke at the hearing: “Two years ago … we were told that it would be better for our claims if we had the state represented by women from every section … to prove that we really want the ballot. We accepted this advice, and gentlemen, we have come.”
    ~from Maine State Museum


    While I could not find any articles of specific history of the women’s suffrage movement in Hallowell, I did find a list of women involved in suffrage causes which included women from Hallowell. This is no surprise as Hallowell has often been in the forefront of progressive, activist causes since its founding.

    artist, Chris Cart

    suf·frage /ˈsəfrij/

    noun
    -the right to vote in political elections

    The term suffrage derives from the Latin, suffragium, meaning “a voting-tablet”, “a ballot” or “the right to vote”.

    The colors of the movement

    White dresses became associated with the early women’s suffrage movement of the early 20th century to represent liberty, purity, and feminine grace. Purple, or violet, represented the vote as well as loyalty, constancy, and steadfastness. Yellow and gold were by far the most widespread colors of the movement.

    By Unknown author – https://mainestatemuseum.org/exhibit/suffrage/the-maine-story/taking-streets-lecture-halls/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=95064851
  • The man with the wall

    The man with the wall

    a giving man

    Chris Vallee #45 has been a real estate professional dealing in commercial and private home and business sales for years.

    The Hallowell mural would not have happened without Chris Vallee. Vallee and artist Chris Cart are good friends and were having lunch one day. Suddenly Chris Vallee asked if Cart if he wanted to do a large mural on his wall at 89 Water Street—a building he had owned and lived in for many years.

    They knocked around ideas and decided the mural should tell the story of our cool town.

    Chris (Vallee) is the most generous person I know. He is constantly giving and reaching out to help people.
    In the summer of 2020 he donated one of his kidneys to a complete stranger. Unfortunately, the surgery went wrong and Chris nearly died, spending 3 months in the hospital, with numerous other surgeries to fix the damage from the initial one. I wanted to represent his sacrifice by the symbol of the kidney colored bird flying from his hands.

    artist, Chris Cart
  • good trouble

    good trouble

    a progressive community

    The Black woman at the left included in the mural is based on Sarah Williams Young, #69, Hallowell, ca. 1864. She and her husband John we married and lived in Hallowell. John worked as a laborer.

    Hallowell, Maine was a refuge for African Americans and was part of the underground railroad. The first Abolitionist society in Maine was formed in Hallowell by Ebenezer Dole.

    The story of James Matthews is of note. He was a Black man who escaped enslavement in South Carolina to find refuge in Hallowell. You can read more here.

    Many important things happened while I was painting the mural—the BLM movement, the murder of George Floyd, and the appointment of Supreme Court Justice Ketanji Brown Jackson and the death of Congressman John Lewis. I referenced these in the fan she is holding.

    artist, Chris Cart
    Photo of Sarah and John Williams Young from Vickery-Shettleworth collection of early Maine photography
  • Equality Maine

    Equality Maine

    equal rights for all Mainers

    The mission of Equality Maine “is to protect and advance full equality for all lesbian, gay, bisexual, transgender, and queer Mainers by creating an inclusive and intersectional movement through political action, community building, education, engagement and collaboration.”

    quoted from Equality Maine website.

    November 7, 2012

    A majority of Maine voters legalized marriage equality in 2012. The initiative, known as Question 1, passed by a margin of 53% to 47%. Maine was the eighth U.S. state to legalize same-sex marriage, and one of the first to pass it by popular vote. This was in part due to our tireless work of our volunteers and lobbyists having conversations with people all over Maine!

    The year of 2012 saw many LGBTQ marriages across Maine.

    Betsy Sweet #48 was a founding supporter of Equality Maine, formerly, Maine Lesbian/Gay Political Alliance (MLGPA). The group was founded in response to the July 1984 murder of Charlie Howard, a young Bangor man who was attacked and murdered simply because he was gay.

    Laura Harper #63 and Lauren Mier #64 at their wedding.

  • 1830 Petition to Congress

    1830 Petition to Congress

    Libby Thompson #46 is the woman in the straw bonnet holding part of the text from the 1830 Petition.

    Also shown is Kate Tremblay #49 in the reddish bonnet.

    Both these women are contemporary Hallowell residents who did extensive research on the early Hallowell Petition.

    The other woman to the left in the lace head covering is Hannah Dole #50, who was one of the signatories on the Petition to Congress in 1830.

    a progressive tradition

    The people of Hallowell, Maine have spearheaded progressive movements from the earliest days since before incorporating as a city in 1852.

    The Right to Speak

    62 women of Hallowell signed the first ever petition by women sent to the US government.

    On January 18, 1830, Charlotte Cheever, her daughter Elizabeth, Hannah Dole and 58 other women of Hallowell, Maine, signed and submitted a petition to Congress protesting the Indian Removal Act, signed by President Andrew Jackson—the federal government’s forcible removal of over 60,000 Native Americans from their lands in the south, the governmental ethnic cleansing of the south, what became known as the Trail of Tears.

    These women asked for the right to speak on the matter, stating:

    “There is one consideration, connected with this subject, which adds much interest, and gives us, as we think, a right to speak on the subject.”

    Over the next 2 years over 1500 women from around the country petitioned the government on the subject of the removal of Native Americans from their homelands.

    We do therefore repeat our prayer, that they may be permitted to abide by the graves of their Fathers and enjoy the sweets and endearments of home.

    Hannah Dole

    The woman in the white bonnet in front of the Right to Speak placard is Hannah Dole #50, wife of Hallowell abolitionist Ebenezer Dole. She was one of the 62 signatories on the petition.

    I included Hannah Dole in the mural as she was the only woman who signed the 1830 Petition of whom I could find a portrait. The other two women in similar period clothing with her are Kate Tremblay and Libby Thompson from today. They both worked at Vaughan Homestead researching the 1830 Petition.

    artist, Chris Cart

    Elizabeth Palmer Peabody (May 16, 1804 – January 3, 1894), sister of Sarah Hawthorne, Nathaniel Hawthorne’s wife, was a progressive educator brought to Hallowell by Benjamin Vaughan to teach his daughters and sons. Many who signed this petition were members of the women’s group Peabody dubbed the Blue Stocking Club, after the English Blue Stocking Society.

    the line from the Petition included in the mural
    an early sketch-in of Hannah Dole in the mural.

    Text of 1830 Petition

    To the Honorable Senate and House of Representatives in Congress assembled,

    we the undersigned, feeling deeply interested in the honor, integrity, and virtue of our country, and considering the question soon to be presented before you, in relation to several tribes of Indians in the western States, as affecting all these, we do most humbly and ardently unite our prayers with those of ten thousands in our lands, that your determination may be favorable to these devoted, persecuted and interesting people.

    We have said this question affects our honour, our virtue and our faith – for what faith will be kept by subjects when rulers regard not the most solemn treaties – when they trample on the rights, the heaven descended rights of those who look to them for protection.

    There is one consideration connected with this subject, which adds much interest and gives us, as we think, a right to speak on the subject. We refer to exertions made by the pious and benevolent to enlighten and Christianize this long neglected people; – and we say it – without any desire of glory, that these efforts have been sustained chiefly by the charity of our own sex – by the two mites of the widow and the penury of the poor. We are unwilling that these truly benevolent exertions should, by the strong men of government, be prostrated at a blow.

    We are unwilling that the church, the school, and domestic altar should be thrown down before the avaricious god of power, and those groves dear to the heart of the Indian and which now echo the hymns of Jehovah, should be again the resort of the hunter, the wild man and the savage. We would not ordinarily interfere in the affairs of governance, but we must speak on this subject. We are aware that we owe to Christianity – all that is sacred to virtue – our elevation in the scale of beings; and we are anxious that others that the wandering Choctaw, Creek and Cherokee should participate in these privileges.

    We do therefore repeat our prayer, that they may be permitted to abide by the graves of their Fathers and enjoy the sweets and endearments of home.

    Petition signatories

    Joanna Gage, Sophia Bond,Lucy Emerson, Hannah Alden, M C Ladd, Sarah Dummer, Mary M Palmer, Mary G. Morse, Nancy Dole, A or H Getchell, S or L Masters, M Perley, O. Getchell, Mary G Gillett, Ann E Gillett, Lydia F. Shepard, Pamela L Fuller, Lydia Page, Lucretia T Bond, Caroline T Bement, Lucretia P Bond, Susan C Moody, Abigail Page, Caroline ? Stickney, Julia A Page, Harriet Page, Hannah Dole, Anna Lakeman, Hannah Sewall, Martha H Page, Sarah C Howard, Sarah Cutler, C. _, Sarah W Page, Adelaide W Page, Mary C Wingate, L M Goodale, Elizabeth Goodale, Elizabeth S Goodale, Mary Gow, Pamela E Gow, Lucy __Gow, Sybil P Lovejoy, L Stickney, P E Stickney, Mary A P Wells, Sally H Agry, Abigail Gow, L__ren Parsons, Sarah E. Moody, Catherine Gardner, Mary Dole, Susan Gardner, Mary Gardner, M__ Gardner, Charlotte Cheever, Elizabeth B. Cheever, Caroline Ladd, Susan Vinall ?, Lucy G Gilman, F C Page

    On outside of folded petition:

    Wm. Sprague
    21 Cong (Congress)
    1 Sess (Session)
    Memorial of sundry ladies of Hallowell, Maine, praying that certain Indian tribes may not be removed from their present places of abode.
    1830 January 18. referred to committee on Indian Affairs March 29 report ______.

    Some of the signatures on 1830 Petition against Indian Removal Act
  • Gaslight Theater

    Gaslight Theater

    heading

    Founded in 1937 as the Augusta Players, Gaslight Theater #51 is the oldest continuously operating community theater in Maine. Since the late ’70’s they have made their home on the stage in Hallowell City Hall, One Winthrop Street in Hallowell (map).

    Rebecca Singer #62, is seen in the front as Puck from Gaslight’s production of Shakespeare’s Midsummer Night’s Dream.

    “Gaslight Theater carries forward a long tradition of providing quality live entertainment to the Capital area community. We seek to provide a welcoming venue for artistic expression, education in the theatrical arts, and community engagement.

    GaslightTheater.org

    Jen, my wife, has been acting in many wonderful Gaslight productions since the ’80’s. I ‘ve been dragged in to trod a bit before the curtain but more often have found myself backstage painting elaborate sets, creating props and designing playbills.

    artist, Chris Cart

    gaslight logo

    Matthew Perry #65, is also depicted in his role as Snug the Joiner, portraying the lion play-within-a-play, “Pyramus and Thisbe”. Matthews’ sisters, Rebecca Perry #78 and Hannah Perry #78 are also included in the mural at the far left and far right. Their father Eric Perry was a major donor to the mural project.

    Richard Bostwick #66, a lifelong Gaslight performer and director is shown in the fedora from one of his performances.

    Jen Greta Cart #67, (the artist’s wife) is not an unfamiliar face on the Gaslight stage is shown here as a witch for her leadership of Hallowell Hexen dancers in the annual Halloween parade. Jen was indeed a witch on stage when she brought the witch “Gillian” to life in the in Gaslight’s production of Bell, Book and Candle.

    You can see the latest Gaslight Season of performances here.